THE IMPERFECTION, PART 6

INT. UBER IN MANHATTAN - DAY

Amber, Pauline, and Charlie are back in Manhattan, getting out of an Uber. They just escaped from the underground borough of the East River stop.

CHARLIE

Its over here, left hand side.

PAULINE

Where are we going?

CHARLIE

Right here, thanks.

(to Pauline)

Come on.

EXT. STREET OUTSIDE CHINESE RESTAURANT - AFTERNOON

They get out of the car.

CHARLIE

Fuck!

AMBER

What, what is it?

CHARLIE

The Chinese restaurant! Its closed!

AMBER

Really closed. Like, it has for a FOR LEASE sign on it.

CHARLIE

Oh man. They’re on to us.

PAULINE

This is the place where the waitress told you about the Arena and the Old Factory?

We hear him knocking on the window.

AMBER

I don’t think anyone’s in there, dude.

CHARLIE

God damn it! We need answers.

PAULINE

What a shit hole.

AMBER

Oh no, man, this place is good. I get food from here sometimes when I’m working.

PAULINE

You work that close?

AMBER

Yeah just around--

CHARLIE

That’s her!

PAULINE

What?

CHARLIE

That’s the waitress. Uh oh, she saw us. Where the fuck is she going?

He starts to yell down the street.

CHARLIE

Yuling! Hey its me! Hey YULING OVER HERE!

AMBER

She’s running away! Are you sure you didn’t grab her ass?

CHARLIE

Come on!

PAULINE

I wore the wrong fucking shoes today.

AMBER

Oh fuck I am not built for chasing people!

They run around the corner.

CHARLIE

(tugging on the door)

Shit. She went in this door but its locked.

AMBER

That door? You sure it was THAT door?!

PAULINE

What?

AMBER

Oh fuck. Fuck me. That’s where I work man! That’s the door to MY JOB! 

PAULINE

So you have the key?

AMBER

Well, yeah. But we can’t go in.

CHARLIE

(Angry)

Amber, we need to get in there! Now!

AMBER

Fuck you Charlie, that’s my money you’re talking about! I can’t fuck up my job! I have a life! 

CHARLIE

Open the goddamn door Amber! She’s getting away!

AMBER

Charlie, what the fuck man? They clock it- every time you use your key card it’s recorded, and the records go to the managers. I’m not losing my fucking job over this craziness, no fucking way.

CHARLIE

Dammit! We need to know what that waitress knows! We need to find Sadler!

PAULINE

Charlie, you’re right, but so is Amber.

AMBER

Thank you.

CHARLIE

FUCK!!!

PAULINE

Amber, when’s your next shift?

AMBER

Tonight. I work graveyard tonight, I go on at ten.

PAULINE

Do you think you can at least look around, see if you can find out where she went, or why she went down there?

AMBER

(hatching a plan)

Maybe. Actually... yeah. But you’re going to have to buy me some food. Is there a grocery store around? What do spiders eat?

PAULINE

Wait. What?

INT. MEGASTORE WAREHOUSE - NIGHT

Amber is coming in for her shift that night. She’s carrying a bunch of plastic bags full of food.

AMBER

What up, Rico?

RICO

Hey Amber.

AMBER

What’s up dude, you sound down.

RICO

Nah man, I’m good. Just tired. And bored as fuck.

AMBER

Oh yeah. Ha. That.

RICO

Its like, what the fuck are we doing down here? Making some fucking billionaire richer while we watch other people’s stuff for minimum wage?

AMBER

Yeah man, I hear you.

RICO

I don’t know. I don’t know if its worth it.

AMBER

Ok, Occupy Wall Street, just clock out, go have a drink and get some sleep. Are you hungry? I have, like, a lot of food here...

RICO

What’ve you got?

AMBER

Chicken, some cold cuts, a raw steak.

RICO

I’m a vegetarian.

AMBER

Oh. I got nothing. Sorry.

RICO

All of that is meat? All of it?

AMBER

Uh, yeah.

RICO

You gotta eat some fruits and vegetables, dude.

AMBER

Look at Rico with the lifestyle changes.

We hear locker doors close, and Amber walks into the tunnel where she has to guard the door.

AMBER

Yo! Legs?! Legs! Spider guy! Are you here? I know you can hear me. Or smell me, or whatever you do.

She pauses, waits.

AMBER

Come on man! I brought you some food! I got a LOT of shit here, man. Steak, sausage, chicken... Chow time! Ding a ling! Get your chow on! No? Ok, man, your loss. Guess I’ll get on the express train to funk town.

Amber puts in her earbuds and cranks some Prince, probably the Black Album. Then we hear the SLITHER that says Legs is approaching.

LEGS

Hey Amber.

She’s rocking out, singing along.

LEGS

Amber! Dude!

Amber screams in terror.

AMBER

FUUUUUUUUCK. Man you gave me a fucking heart attack mother fucker!! Goddamn it!

LEGS

Sorry! Sorry, I really tried to get your attention but you had your headphones on.

AMBER

Shit on top of another shit! 

LEGS

You were rocking out.

AMBER

Oh fuck you.

LEGS

No really, you have a great voice.

AMBER

Well, that’s nice, I guess. And- sorry I screamed and shit. I was just in the zone.

LEGS

You really were.

AMBER

The Prince Zone.

LEGS

What’s that?

AMBER

Oh, the guy I was listening to, Prince. You don’t know Prince?

LEGS

No. We don’t get a lot of music down here.

AMBER

Oh man, Prince is like, its like having sex on silk sheets. You want to check it out?

LEGS

Its ok, only half of me understands what music is anyways.

AMBER

Huh. You’re an interesting dude, aren’t you, Legs.

LEGS

And you’re the nicest human ever! Look at all that food man!

AMBER

Oh yeah its like, major feast time. You’re a carnivore, right?

LEGS

Fuck yeah I am.

AMBER

Ok cool, cause I looked it up and it said Spiders pretty much eat other animals, like flies and stuff.

LEGS

Yeah both sides of me are straight up meat eaters. My mom ate rats and bugs, things would get stuck in her webs. And my dad, well I didn’t know him, but I guess he ate normal spider stuff-- flies, gnats, that sort of thing.

AMBER

Forgive me if this sounds, like narrow minded or culturally insensitive, but that is disgusting.

LEGS

Nah, its cool. Hey, do you mind...

He grabs one of the bags.

AMBER

That’s what its there for! Get into it man!

Gross, ravenous sounds.

AMBER

Oh you are hungry. Ok. I’m just going to look over here at the wall. And not watch that. I didn’t know you another mouth thing.

LEGS

(mouth stuffed)

Mandible.

AMBER

What now?

LEGS

Its called a mandible.

AMBER

You just get your chow on. Didn’t your mother tell you not to talk with your mouths full?

LEGS

(still stuffing his face)

Mom didn’t talk. She communicated with chemical secretions.

AMBER

Aw fuck I’m going to be sick.

LEGS

I can wait to eat the rest of this later.

AMBER

Yeah maybe that’s a good idea.

LEGS

Fuck is that good. Steak? You are a legend.

AMBER

Listen, tho, I’d be lying if I didn’t say I had a motive here.

LEGS

I know, I know. I’m ok with that. We had a deal.

AMBER

We did.

LEGS

Well, I was paying attention to your door, here. Its interesting. Whenever you’re NOT here, a LOT of people come and go. Like, probably 40 people. And then as soon as you show up, silence. Not a sound. Its like they stop moving.

AMBER

You mean they stop coming in and out of the door?

LEGS

No like they literally stop moving. Or disappear. But I still smell them, so I don’t think they vanish or anything. Its like they go to sleep. No movement. No sounds. Nothing.

AMBER

Does that strike you as very weird?

LEGS

I’m a half-spider half-man, so my barometer for weird is a little off.

AMBER

I feel like that all the time. Up top.

They high five.

AMBER

So yesterday this woman, cute little asian woman about yay tall, she ran down here... you didn’t happen to see her, did you?

LEGS

Like this tall? Glasses, pony tail?

AMBER

Yeah that’s her.

LEGS

Oh totally. Yuling. She’s down here all the time.

AMBER

Wait what? She is?

LEGS

Yeah. The chick who works at the Chinese restaurant around the corner, right?

AMBER

Yes exactly, that’s who I’m talking about.

LEGS

Yeah, she’s really cool man. She brings me food sometimes. She’s into swing dancing. She tried to show me some moves, but, you know, I don’t really understand rhythm, so...

AMBER

Problematic.

LEGS

Plus the leg situation. But yeah, she’s cool.

AMBER

And what does she do down here?

LEGS

Oh I don’t know. I don’t really pay attention, and these tunnels go on for miles man. They go all over the city. But she’s definitely in the neighborhood a lot, I see her at least once a week.

AMBER

Well that is very interesting, Legs. Thanks man, that’s super helpful.

LEGS

And thank you for the food! This is rad.

AMBER

Don’t sweat it.

LEGS

Ok I’ve gotta run. Web maintenance. It never ends.

AMBER

I can only imagine. Later.

LEGS

Later.

Legs walks away with the accompanying slither pitter patter SFX.

INT. CHARLIE'S HOUSE - DAY

Amber has come over to Charlie’s house. She knocks on the door.

AMBER

(from the otherside of the door)

Charlie! Yo!

SFX of foot steps and a door being opened.

CHARLIE

(from the other room)

Hey what’s up! Come on in!

Amber walks into the apartment.

AMBER

So this is what your place looks like? I always wondered... could’ve gone a few different ways.

CHARLIE

What do you mean?

AMBER

I mean, you’re a white guy with glasses and a college degree, so it could be very, like, Ikea but in a good way? Or it could have been majorly OCD clean, like, you have special booties you put on over your shoes and a lot of wipes.

CHARLIE

That sounds like me.

AMBER

Then there’s always the possibility that there’s human flesh in the freezer.

CHARLIE

Nope, Not my thing.

AMBER

I’m just saying it seems like a possibility.

CHARLIE

(sincerely)

Hey, I’m sorry. About yesterday, yelling at you when we were chasing that waitress.

AMBER

Its ok. I get it.

CHARLIE

No, it wasn’t cool. I’m just... I feel like finding Sadler is this mission, and I have to complete it or else... 

He trails off.

AMBER

Or else what?

CHARLIE

Or else I’ll never know what’s real!! Sadler helps me sort through these hallucinations that seems SO REAL, but its not. Its just a figment of my imagination. And I wind up doubting everything, all the time. Are you real? Is this kitchen real? I KNOW it is, but I have to QUESTION it. Everyday.

AMBER

I understand.

CHARLIE

I know, I know you do. And that’s a lot. Maybe that’s more important than knowing what’s real. Is just knowing that other people deal with the same shit.

AMBER

Are you having a breakthrough? Oh shit!

CHARLIE

Oh leave me alone.

AMBER

Hold on I have to call Pauline. You know how she loves a crazy person break through.

CHARLIE

Fuck. Off.

AMBER

I get it, man. I do. Life is hard enough without this bullshit. I’m with you. I want to know the truth.

CHARLIE

So let’s figure this thing out.

AMBER

I’m down.

CHARLIE

But I am sorry, when I was yelling and saying we should go into your work- that was dumb. I wasn’t thinking about it from your perspective.

AMBER

Its cool man. I can stand up for me. Plus it was kind of funny.

CHARLIE

What do you mean?

AMBER

Like, I’ve never seen you run before. You look like really funny when you run. Who holds their hands like this?

You hear the patter of her feet as she fake runs, mocking him.

CHARLIE

I don’t run like that!

AMBER

You totally do. Plus, that waitress could HUSTLE, right? She’s so fast.

CHARLIE

So fast.

AMBER

On those tiny legs.

CHARLIE

She’s not that short.

AMBER

Like a little duck. 

(beat)

But for real, apology accepted.

CHARLIE

You want coffee?

AMBER

You got oat milk?

CHARLIE

Nope.

AMBER

Fuck off.

CHARLIE

I know.

A heavy sigh from Amber.

AMBER

I can’t fucking believe we can’t go to the coffee shop, man.

CHARLIE

We can, we will... I just need a couple of days to let it settle. I texted Inés, but...

AMBER

She didn’t hit you back, huh?

CHARLIE

No.

AMBER

I called it! I told you when you guys went on that date, I knew it would get fucked up, and then we couldn’t go to our coffee shop man! I hate trying to find a new coffee joint- it wears me out, Charlie.

CHARLIE

I’ll fix it! I will. Inés just needs to understand what we were really doing outside her building- that I wasn’t stalking her.

AMBER

I know, it was shit luck. Just bad timing. But if you look at it from her side, well... You do seem like a super creep.

CHARLIE

I really like her. I can’t believe I’m going to fuck it up. I mean, I CAN believe it, it seems like a pretty sure thing actually, but still... It sucks.

AMBER

Ouch. Yeah. That feeling. I know that feeling way too well. What do you think its like being a black woman with a debilitating mental illness?

CHARLIE

I have no idea.

AMBER

Well take the amount your life sucks, and then multiply it by racism, add misogyny, and then give it another solid 25% of the entire world actively wants to keep you down.

CHARLIE

That sounds hard.

AMBER

Its a hard life, man!

CHARLIE

No I mean that math problem sounds hard. 

(abruptly)

Fuck, we have to call in. 

AMBER

Leave it to Pauline to set up a conference call.

CHARLIE

Well, it’ll be good to get the rest of the group on this. I mean, they have to be in bad shape if they haven’t been getting their meds, right? They need to know that Marcello hooked them up, they can go back to the pharmacy. And maybe someone has talked to Sadler...

AMBER

Yeah its just, I don’t know. Conference calls are very upper middle class. I’m a security guard, I don’t have a lot of conference calls in my life.

CHARLIE

Don’t worry, they suck too.

He dials in, and now we’re in the conference call. Everyone’s voice is telephonic and cut off by one another.

CONFERENCE CALL ANNOUNCER

Hi! Thanks for using CallingAllCalls. Please enter your PIN, followed by the hash key.

Beep boop.

PAULINE

Oh, someone just popped on. Who’s that?

AMBER

Hey Pauline, its me and Charlie.

PAULINE

Ok great. So far we have Hamish, and Sue Ellen.

CHARLIE

Oh hey guys.

HAMISH

Hi--

SUE ELLEN

(cutting off Hamish)

-ello you guys

The voices are briefly a mishmash of people talking over each and cutting each other off.

AMBER

This is what a college degree gets you?

PAULINE

Sorry Amber I couldn’t hear that, can you get a little closer to the phone?

AMBER

Nothing. We’re good.

PAULINE

Ok let’s give it a minute and see if anyone else can join.

CHARLIE

How many people did you invite?

PAULINE

Fifteen.

CHARLIE

I didn’t realize Sadler had that many patients. I thought Acute Dementia from Hypo Occular Cyclothymia was rare.

PAULINE

Oh it is, very rare. We’re pretty much everyone in both America’s and Europe that have it. I heard there’s a clinic in China, but that’s the only other one.

HAMISH

Hey! Put that down! Now! Down! Sorry guys, my dog is eating the pillows again.

PAULINE

Hamish, there’s no dog. 

HAMISH

No really, I just-- wait, where’d he go?

PAULINE

Hamish, you have to name it.

HAMISH

I’m hallucinating. I don’t have a dog.

PAULINE

(talking to him a little bit like you talk to a dog)

That’s right. That’s right! Good job.

Hamish starts sobbing.

AMBER

Hey Hamish, hit the mute button if you’re going to cry ok? That’s a real trigger for me.

CHARLIE

Amber! Come on. Its ok, Hamish. Let it out, bud.

HAMISH

(crying)

I really love that dog...

PAULINE

(getting down to business)

Well, we’re missing a lot of people here but let’s just make this quick. Sue Ellen, Hamish, have either of you guys heard from Dr Sadler?

SUE ELLEN

No, nothing.

HAMISH

No.

PAULINE

Ok. Well we filed a missing person’s report with the police, so if you hear anything let me know so I can forward that info along, ok? 

SUE ELLEN

Absolutely.

PAULINE

Now how are we doing on our meds? Does everyone have refills?

SUE ELLEN

Uh, Sue Ellen here. I have about a week left.

PAULINE

Hamish?

HAMISH

Maybe two weeks.

PAULINE

Ok well Dr Marcello was able to get refills for every one, they’re at the DrugMart near Sadler’s office. Just ask for Mahmoud.

CHARLIE

Ugh I hate that guy.

PAULINE

(annoyed)

Well, whatever, Charlie. They’ve got the refills.

CHARLIE

Does anyone know if Sadler was affiliated with a hospital? There’s must be a hospital he worked with, right?

HAMISH

I never heard him mention one.

SUE ELLEN

I think he said there was a hospital underground.

AMBER

What?

SUE ELLEN

I think I remember him saying something about his hospital was underground, or, like, in a basement.

PAULINE

Sue Ellen, I think we talked about this...

SUE ELLEN

No really!

PAULINE

Really?

SUE ELLEN

Maybe not. Maybe I heard that wrong.

PAULINE

And what do we call it when we ‘hear things wrong?’

SUE ELLEN

A hallucination.

PAULINE

That’s right!

There’s a beep.

PAULINE

Ok who’s that? Is someone joining?

CLARENCE

(running and freaking out)

Oh god! Oh fuck! They’re after me!

PAULINE

Clarence, is that you? What’s going on?

CLARENCE

(breathing hard, street sounds underneath)

There’s like 5 or 6 of them. Fucking commandos or something. They want to kill me!

PAULINE

Why do they want to kill you Clarence?

CLARENCE

I broke into Sadler’s office! I thought maybe he was in there, maybe he needed help! Ahhh!

A car screeches and the phone bangs around.

CHARLIE

Clarence? Clarence are you there.

City ambience SFX. People gather around- it sounds like he got hit by a car. We hear two voices from Clarence’s line.

UNKOWN VOICE 1

(Male subway voice)

Problem resolved. Case file complete. Return to The Meadow.

UNKNOWN VOICE 2

(Female boss voice)

Correct. Success. Returning to The Meadow. End of line.

PAULINE

Clarence? Oh god Clarence are you there?

CHARLIE

Where are you? Can you tell me where you are?

AMBER

Oh fuck Charlie. 

PAULINE

Sue Ellen?

SUE ELLEN

Oh Jesus what happened?

PAULINE

Ok we’re cutting this short guys. I’ll call an ambulance. Charlie, you live near Sadler’s office- go over there and see if you find him, ok? Call me if you see anything! 

They hang up.

CHARLIE

Come on let’s go.

EXT. ACCIDENT NEAR SADLER’S OFFICE - MOMENTS LATER

Charlie and Amber have run the few blocks to Sadler’s office. Sirens are wailing as they approach the scene of the accident.

AMBER

Oh fuck!

CHARLIE

Is that him? Is that Clarence?

AMBER

Oh fuck man. Is he dead? There’s blood coming out of his mouth. That’s not good. That’s never good.

PARAMEDIC

You know him?

AMBER

Yeah we know him. Clarence, Clarence can you hear me?

Clarence groans.

PARAMEDIC

We have to get him to the hospital stat. Stand back.

AMBER

Clarence, can you hear me man? What happened?

CLARENCE

(whispering in his death throes)

They were real. Can you fucking believe it?

AMBER

I believe it Clarence. I do, I really do. Don’t talk, though, ok? They’re going to get you to the hospital.

CLARENCE

What a joke.

AMBER

Clarence? Clarence!!! Wake the fuck up man! Now! Clarence!

PARAMEDIC

I’m sorry. 

CHARLIE

Amber. He’s gone.

Amber’s crying, this is just too much.

AMBER

What does this mean Charlie? Is some one after us? Is it the Arena?

CHARLIE

I don’t know. I don’t know anything. Except...

AMBER

What?

CHARLIE

We gotta find Sadler. I don’t know about you, but I have some questions for that fucker.

AMBER

You know where he is?

CHARLIE

I think so. We’ve talked to the Arena, and we’ve been to the Old Factory, so there’s only one place left to look.

AMBER

The Inventor’s Basement.

CHARLIE

Exactly. Let’s go.